Published on March 9th, 2013 | by Greg0
Tribeca Film Festival: Exciting Lineup, Tickets Available Monday
The 2013 Tribeca Film Festival just announced their lineup, and it’s full of exciting screenings and interesting indie films. With a wide slate, covering everything from midnight movies to “cross-platform approaches to storytelling”, the Spotlight section alone features 33 films- 21 narratives and 12 documentaries- and is sure to offer something for any cinephile. We look forward to covering the event, when the 12th edition of the Festival opens on April 17 and runs until April 28 here in New York City.
Ticket sales began last week for American Express Cardmembers and open up Sunday, April 14 for downtown residents, and Monday, April 15 for the general public. Tickets can be purchased online, by telephone, or at one of the Ticket Outlets, with locations at Tribeca Cinemas at 54 Varick Street, Chelsea Clearview Cinemas at 260 W. 23rd Street, and AMC Loews Village 7 at 66 3rd Avenue. The 2013 Festival will continue offering ticket discounts for evening and weekend screenings for students, seniors and select downtown Manhattan residents. Discounted tickets are available at Ticket Outlet locations only. Passes start at $250.
Here is a curated selection of the films that we’re looking forward to, in no particular order:
Dark Touch, directed and written by Marina de Van. (France) – World Premiere, Narrative. Niamh is the lone survivor of a bloody massacre after the furniture and objects in her family’s isolated house take on a monstrous life of their own. The police ignore her wild stories, and the family friends and social worker who take her in try to introduce a new life. But in this psychological thriller, Niamh is unable to leave her violent past behind her, endangering everyone who crosses her path.
Adult World, directed by Scott Coffey, written by Andy Cochran. (USA) – World Premiere, Narrative. Amy (Emma Roberts) is naïve, awkward and anxious to get her poetry career off of the ground. She begrudgingly accepts a job at the local sex shop, Adult World, while pursuing a surefire kick-start for her success: a mentorship with reclusive writer Rat Billings (the hilarious John Cusack). As Amy’s world melds with that of Adult World, she slowly learns that inspiration can be found in the most improbable places.
G.B.F., directed by Darren Stein, written by George Northy. (USA) – World Premiere, Narrative. The bitter fight for supremacy between a school’s most popular girls takes an unexpected turn when Tanner (Michael J. Willett) becomes its first openly gay student. As they race to bag the big trend in fashion accessories, the Gay Best Friend, Tanner must choose between skyrocketing popularity and the friends he is leaving behind. Darren Stein (Jawbreaker) returns with another comic send-up of high school clique culture, including memorable cameos by Megan Mullally and Natasha Lyonne.
Frankenstein’s Army, directed by Richard Raaphorst, written by Chris W. Mitchell and Miguel Tejada-Flores. (Netherlands) – International Premiere, Narrative. In the waning days of World War II, a team of Russian soldiers finds itself on a mysterious mission to the lab of one Dr. Victor Frankenstein. They unearth a terrifying Nazi plan to resurrect fallen soldiers as an army of unstoppable freaks and are soon trapped in a veritable haunted house of cobbled-together monstrosities. Frankenstein’s Army is the wild steampunk Nazi found-footage zombie mad scientist film you’ve always wanted.
Byzantium, directed by Neil Jordan, written by Moira Buffini. (U.K., Ireland) – U.S. Premiere, Narrative. Neil Jordan’s exploration of vampirism began with Interview with the Vampire. Now he returns to this lurid, malevolent realm through Clara (Gemma Arterton) and her daughter Eleanor (Saoirse Ronan). Creatures from Clara’s past come calling, and these immortals are forced to relocate. Dire consequences follow anyway when Eleanor makes a connection with a local boy (Caleb Landry Jones) and slowly reveals the truth of who they are and how they survive. An IFC Films release.
The Project, directed and written by Shawn Efran and Adam Ciralsky. (USA) – World Premiere, Documentary. The Project profiles the precarious, real-life story of the Puntland Maritime Police Force, a group of Somali pirate hunters. Taking the hijacking of the African waterways and the kidnapping of innocent citizens into their under-trained hands, the PMPF face mutiny, death and a loss of corporate funding in their dangerous quest to free the Middle East shipping industry from terror. The mercenaries’ epic battle makes for an intense, gripping and disarming ride.
Almost Christmas, directed by Phil Morrison, written by Melissa James Gibson. (USA) – World Premiere, Narrative. Two French Canadian ne’er-do-wells travel to New York City with a scheme to a get rich quick selling Christmas trees. Easygoing charmer Rene (Paul Rudd) clashes with misanthropic ex-con Dennis (Paul Giamatti), whose wife Rene just stole. Still, this odd couple must make an honest go of it in this fresh buddy comedy co-starring Sally Hawkins, by the director of the indie breakout hit Junebug.
The Machine, directed and written by Caradog James. (U.K.) –World Premiere, Narrative. Caradog James adds another layer to the Frankenstein story in the latest gripping sci-fi adventure to come out of the U.K.. Already deep into a second Cold War, Britain’s Ministry of Defence seeks a game-changing weapon. Programmer Vincent McCarthy unwittingly provides an answer in The Machine, a super-strong human cyborg played by the impressive Caity Lotz (The Pact). When a programming bug causes the prototype to decimate his lab, McCarthy takes his obsessive efforts underground, far away from inquisitive eyes.